Creative? Not so much…

I’m writing this on the fly, which can only mean one thing – more typos, more poor grammar choices, more run-on sentences, comma splice errors, etc. This post will be filled with all the things that would make my English teachers/professors/English professor friends cry, and then pause and wonder how on earth I manage to communicate. Ehhh, what can you do? Editing is for err… ummm… well, I suppose it’s for everyone, but still… Not today!  Ok fine, I’ll do my best? (I’ve had sugar.  This is my second disclaimer.)

Several months ago a co-worker stopped and said something like, “Beth, you’re always doing something. I love hearing your stories.  What creative thing are you into now?” I hmmed, there was some hawing, and after some not so deep soul searching I finally declared, “nothing.” While adding in my head, “nothing, topped with nothing sprinkles and a huge dash of nothing – I was making nothing pops out of congealed nothing,” and I was actually ok with that.  I thought about writing, but wasn’t feeling it.  I perused new classes, but wasn’t feeling it. Basically, I was quite happy with reading more, and catching up on Netflix series one sitting at a time.

Sometime in February, I think, a friend of mine asked me to help assist with a play. I checked my calendar, moved some of the nothing around, and hopped on board.  Afterwards I sat in character study discussions, table reads, rehearsals, and so far three performances.  Nothing is truly more exciting than watching a production grow from an idea into a live performance with a talented cast who get better every time.

Next week we’ll have the last few shows.  If you’re in Austin (and would love to travel to Georgetown), I encourage you to come see Blame it on Beckett. We have an extremely talented cast directed by one of my favorite people, Jonathan Spear.  It’s well-worth the $15. (There are discounts for Seniors and children.)

https://www.picatic.com/event14647381531248

The 48 Hour Film Project is also going on (it ends tonight at 7:30).  This is the thing where, on a Friday evening, you get assigned a genre (ours is a holiday movie or an animal movie – OY), an object (a wrapped gift) that must be in the film, a line of dialog (something that had the word “oops” in it, but my memory is that bad that after 36 hours you got me), and a character (Charlie or Charlene Bitters, an author), and you have to write, shoot, and edit it within 48 hours.  AND it’s also something I’ve avoided since we wrapped the last one in 2013 after the unfortunate incident with the neighbor.

Well, it turns out some of the talented actors from Blame it on Beckett were going to have to miss a weekend (thus the weekend break between performances) to participate in the 48 HR project which got me talking about it again.  That’s when the writer from the previous show decided she wanted to see if she could do all of the work: writing, directing, producing, editing, music, etc. – basically, I think she wanted to see if she could get the least sleep of everyone I know and avoid merrily leaping off the ledge (she’s still alive as of this writing).  My job consists (present tense since we’re still in this thing) of turning in paper work and asking the actors if they’d like a cookie.  I mean, who doesn’t want a cookie?!?! (Apparently all the actors since I ended up with all the cookies once we wrapped.  So sad to know cookie-haters walk among us. Even sadder that there are cookie-haters in my peer group. 😦 )

The good news is that our group, Uncle Bob’s Dangerous Pants, lives again!!! (And we still got props for best name from the 48 HR folks.  WOOOT!)

Also, a beautiful thing happened that made this all seem right, yet has zero to do with creativity.  The good neighbors (mentioned in the old post) are buying the evil neighbor’s house, which means the evil neighbor is moving.  I can’t begin to express how hard it was not to do an old lady style cartwheel in the front yard and cheer (after of course crashing to the ground and moaning a bit, because my cartwheels have suffered greatly over the decades).  Instead I took the news calmly only betraying my glee at the corners of my mouth and well, by repeatedly pointing to the evil house and asking, “that house? that one right there? oh that one?”  It seems like closure of sorts.  We did our first 48 HR shoot, had that happen, then did this one, and she’s moving.

Anyway, all of that to say that I’ve gotten to do some creative things with creative people lately, and that has made me pretty happy.

But I do want to add one thing – a friend who isn’t involved with any of my improv/sketch writing life said, “you’re so creative” after I mentioned the play and the 48HR Film Project.  That was really nice, but here’s where I absolutely can’t take credit.  I am good at many things, and the bulk of them include following directions.and wrangling. You also need people like me for the things I do, but I am not creative per se.  I do not “create,” and I’m ok with not being considered “creative.”  I support.  I’m one heck of a supporter.

AND I’m very lucky to be surrounded by amazingly creative people who see the need for a solid supporter. Between all of us, we get things done, and right now I’m having fun doing just that.  Now I need to get ready to go get the paperwork turned in so we can wrap this whole thing up tonight..

Abra-ka-what-what!

You may recall that last August our little gang entered our first Austin 48 Hour Film Project.  I may have written (vented?) about it in a behind-the-scenes post.

While we were able to turn-in a completed film, it wasn’t the film in its entirety.  (If only we’d had 49 hours!) But today, thanks to our DP/Editor, Richard G. Bingham, II and our writer/actor Topping Haggerty, we give you the full video.  Keep in mind this was all written, shot and edited (save the middle section which had to be scrapped to make the deadline) in 48 Hours.  Also, note that no children were harmed despite accusations from a disgusting little HOA hobgoblin (who has since inspired an original song and sketch ideas – our little troll muse, as she were).

That’s A Wrap: The Austin 48 Hour Film Project

Our Team Name for the 48 Hr Film Project and our Mascot

We made it through the 48 Hour Film Fest weekend.  We made a movie!  And we got it turned in with 14 minutes to spare.  We watched other teams run, only to be turned away after failing to meet the 48 Hour deadline by mere seconds – some ran with their computers in their hands as their movie project finished rendering.

I knew there would be a story from the weekend.  I told a co-worker last week, “I look forward to telling you the story, because you know there’ll be one.”  She laughed and nodded. I guess I thought the story would be different.  I mean, how can you possibly write, cast, shoot and edit a film in 48 hours without something going terribly wrong especially when you have a cast and crew that totaled 19 people?  Different people, different temperaments crowded into a small space for a long time – how could there not be a story? There wasn’t.  When the card reader broke (the little reader that allows you to take a camera card and plug it into the computer), I thought “there’s the story”.  When the associate producer, replacing the card reader, was pulled over by a police officer I thought, “ok, maybe that’s the story.”  When the older well coifed white haired woman with her neatly put together summer outfit sauntered onto our porch as we were shooting our last scenes, I didn’t think that was the story.

So of course, that was the story.

When she walked up my sidewalk the Director of Photography (DP) asked, “is that one of your neighbors?” I looked at her; she wasn’t someone I’d ever seen, but we’re those quiet people that stick to themselves and spend too much time indoors.  I may have met four of our neighbors in the time we’ve lived here and other than the two right next to me, I couldn’t pick the rest of them out at the grocery store if asked.  “Maybe?”

Official Clap Board and One Goofy “We’re Making a MOVIE!” Grin

This is where I get a bit fuzzy on the exchange, so know the dialog is what I heard, not necessarily what was said verbatim.

She came up and asked what we were doing.  Our DP answered, “We’re making a movie.”  She wasn’t very satisfied, then she mentioned cars had been in the cul-de-sac all day and that was a problem.  “We’d be glad to move them.”  I made a mental note for future films that I should check.  Sure, I’d asked people to park on a different street, since cul-de-sacs can be tricky with their lack of curb room, but some cars were sticking out in the street and people were parked between me and the adjacent house. “My son has cerebral palsy and he cannot drive in here easily if there are all these cars!” Again, the DP offered to tell anyone who was in the way to move – that we didn’t realize until then that it was a problem, but we’d be happy to correct it.”  She didn’t seem to want that, she wanted to scream at people.  That’s when it all blew up.

“What are you doing?!?! I do not understand WHAT you are doing!”

“We’re making a film.”

“That doesn’t make sense.  What are you talking about?”

“This is for the 48 Hour Film Festival, so we’re finishing up filming today so we can enter.”

“That doesn’t make sense. I ASKED YOU WHAT YOU ARE DOING!!! What kind of movie. Why do you have children?” (or something to that effect)

“You are welcome to look it up online.”

“You are not answering me!”

Our writer stepped in:

“We were given the genre “Fantasy” and our movie is a narrative film based on that genre where magical children are looking for new homes.”

“This is illegal!”

“No ma’am, it’s not.”

“You shouldn’t be doing things with those children.”

“We have their parents here and they have signed releases allowing them to be in the film.”

“Why do you have children?”

“Again, they’re part of the film. One of their parents is right here.” Steve our sound guy waved.

“You had your garage door open with people popping up and down from boxes. We do not want that kind of thing here!! It’s illegal.  I will call the police!!!!!” She was referring to a film shoot we did back in May where we used the space in my garage to shoot one of our writer’s short films – a film about two talking dogs in their bejeweled purses discussing what it was like to be an aging pampered pooch.  There was a gigantic green screen behind them that will eventually be transformed into a hotel lobby.

“You may call the police, but we have permission from the owner to film on their property.”

“If the owner knew what you were doing with their property they would not…”

I raised my hand, “I am the owner of this property.”  I had been sitting on the bench on our porch trying to stay out of the way of the camera while we filmed.  She really hadn’t noticed me until then, since she was completely content to yell at the DP and the writer.

“What you are doing here is illegal.”

“No, it’s actually not.”

“Yes, it is. You cannot do this with the children.”

“We have permission from their parents to film them.”

“The neighborhood does not approve of what you are doing here.”

This went on for awhile until she implied that my husband and I were doing something illicit and creepy in the house.  I was FUMING.

“And you have all of these cars.”

“…which as we told you we would be happy to move.  We didn’t realize it was a problem.”

“Well it IS! You are blocking…!!!!”

“Again, as we have said, we will have those cars moved.”

The whole time, our actors were coming out of the house to move their cars out of the way – heads down as they hurriedly moved passed the craziness. Also, in truth no one was parked near her house.  Now the people across from us were, because they were having a “we better get all of that toilet paper out of the tree” party.  So, between the two of us, we had created a bit of an unexpected bottle neck.

She stomped off telling us we’d better not do that kind of thing in her neighborhood again that the neighbors did not approve of us or our activities.  In my head, this meant all of the neighbors.  She then self-righteously marched to the good neighbor’s house with my neighbor nemesis trailing not far behind her. As the self-appointed spokesperson of them to let them know she had defeated the lascivious child porn purveyors, because that’s basically what it all came down to.  She knew we were clearly doing something disgusting with children and she was not having it.

One clothed actor, one very naked puppet. SCANDALOUS! What is he doing with that puppet?!?!?! What kind of film is this?!?!?!?!

I was shocked.  In fact, my feelings were generally hurt.  There she was on the driveway with my good neighbors, Bill and Becky, listening to her tale of their disgusting neighbors.  We had to move!  That was the only solution.  This whole circle thought we were filthy.  I had to tell Jay.  I had to finish a movie.  Where were we going to move?  While trying to wrap, I was going through all the steps we’d need to go through to sell the house.  I like my house, but I’d like the next house and maybe we’d get better neighbors.  I couldn’t believe Bill and Becky were turning against me right before my eyes.  She attacked my character!

Some background on why this bothered me on many levels; this cul-de-sac troll had managed to find that button – she found my nerve center – she hit my definition of self.  I used to tease my mother that she was a priss.  In fact, I’d sometimes take her middle name and transform it, calling her Priss-tina.  Well, the truth is, I inherited those same genes.  I’m prissy. I’m a prude. I’m so uptight I squeak. I’m good at my job in QA, because I believe in rules and following rules. (This does not always apply to speed limits or trying to convince YOU to do something bad.)  I like rules for me.  They provide a framework.  Once I know the rules, I stick to them.  Rules define the “is-ness” of things.  For the record, so you know what kind of prude I am, I’ve never seen a porn, which makes my friends laugh.  I have never used illegal drugs. I’m ok if you have, but that’s not me. I have never been sick from too much alcohol.  I am Priss-tina’s daughter – Priss-tina’s uptight legacy.  And here was this hateful vile creature telling me that basically the whole neighborhood thought I lived an abhorrent lifestyle and Bill and Becky were listening.  She said I’d broken rules.

We had to keep filming.  Our DP got us back on track, because we didn’t have time to dwell and properly vent.  We only had a few short takes and daylight was burning, but truthfully the whole time I could hear her laughing with Bill and Becky with the evil neighbor standing right there in Bill and Becky’s driveway.  I was dying inside and I didn’t get a chance to grieve.  The film continued and then mid shot I hear, “Neighbor! Neighbor!” It was Bill calling me over, “my wife was really worried you thought we agreed with that woman and asked me to come over and apologize.  I am so sorry.  She’s a crazy person.”  I told him what she’d accused us of and explained “we’re in the 48 Hour film project.  We are just filming the kids; their parents are here.”  He waived me off, “I know, she’s just crazy. How did she even know you had kids in there? She’s just sitting around watching you.  Crazy.”  I added, “I really don’t think we’re bad people.  Sure we’re quiet, but we’re not bad people.”  He nodded and he said, “if you need to use our driveway for the cars, you just say the word.”  I love Bill and Becky.

We finally finished filming.

It was so hard to listen to her craziness, because all of us held back.  You could see how enraged the DP was, and how irritated the sound guy and the writer were.  Everyone wanted to unload full guns, but here was this ballsy lady yelling at two adult men and two women – this human Chihuahua off her meds.  One of the actresses summed it all up so beautifully as she came back from moving her car, “I hate it that she won.”  And won she had.

The wife of the sound guy added a bit of levity, “I bet she’s with one of the other teams and she’s trying to throw us off.”  That made the rounds and had us all laughing a bit.

Then Topping, our writer, said later when we were inside reliving it all, “Beth, I’m mad for you, because if you’re anything like me, you’re thinking about how this is something you’ve always wanted to do and how finally you have these friends who are helping you achieve that dream, and you’re thinking about completely quitting and definitely never filming in your house. The one where we have the most space.”  Yes.  I had planned to tell Jay I wasn’t going to film again, because apparently it made me dirty and I’m not a dirty person.  (Did I mention she attacked how I define myself?)

Jonathan and Nancy as “The Hagels” – fully clothed!

I lost sleep that night, despite my husband reassuring me that she was a crazy person and you couldn’t reason with her AND that me being angry had no affect on her.  She didn’t know I was angry, but me being angry did affect me.

We were down to our last 12 hours and were helping editing.  I’d be lying if I said I had let it all go, but I’d find myself paused, staring at the footage, reliving the event, and thinking of all the things I could have said – to a woman who would never think she was wrong.  (You know great things like to her comment of “this is illegal”.  “Yeah? Well YOUR FACE is illegal!” My four year old retorts.)  Then I declared in my brain, “my Daddy and my friend Anna will beat you up!”  So not true, but it’s what you say when you harrumph and realize playing this all out in your brain is silly and that’s the best silly line you can end with.

As for the film – we did finish it.  We had to cut a couple of scenes and leave an intro bit out to get it all turned in on time, BUT when we do post it for viewing, everyone will see the full movie.  For the record, despite having kids in the movie, it’s all rated G.  I know, I know, hard to believe you could have kids in a movie and it still be rated G, but we broke the stereotype.  Turns out we’re all more Disney than “Deep Throat”.

The Magical CLOTHED Children from L to R: Lyssa, Tryph, Kaitlynn, Kelsey, Nathan and Eryn between takes

I also want to say that I’m proud of the entire team of cast and crew.  They all worked incredibly hard and were all awesome.  My one job was to pick the right team and I did a solid job.  Everyone got along, everyone stayed focused and we made a movie in 48 hours.  I’m so proud of all of you and I’m so lucky to know each and every one of you.  We made something good, especially considering the time constraints, and we did it despite the suburban troll.

Great job all!

Because

Because my parents were divorced…

My Mother moved us to Austin when I was in 2nd grade.

And because she moved us to Austin when I was in second grade,

A little boy named Ernie was paired up with me on my first day of school.  His assignment was to make sure I got around ok and boarded the right bus at day’s end.  He didn’t realize it was a lifetime commitment.

He then grew up to mistake me for furniture (or maybe it was retaliation, since he’d been tricked).

When your friends become family.

And because a little boy named Ernie showed me around school,

I got a job at PBS.

And because I got a job at PBS,

I met a girl named April.

And because I met a girl named April,

I took an improv class.

Steve Rogers Photography

And because I took an improv class,

I took more improv classes.

Singing Improv!

And because I took more improv classes

I heard about sketch classes,

And because I heard about sketch classes, I wrote some sketches that we eventually turned into some short films.

And I also helped write a sketch show that had a sold out run three weekends in a row.

And because I did all of that, I met more people,

And because I met those people

I will be part of this year’s 48 Hour Film Project in Austin, which we’ll start on August 16th, finish on August 18th and have screened the following week at the Scottish Rite Theater.

48 Hour Filmmaker: Austin 2013

Thanks to my parents getting a divorce, I’m helping make a film!  Thanks, guys!

SHAMELESS PLUG: Interested in helping out, interested in acting or just merely want to keep track of what’s going on?  Follow Uncle Bob’s Dangerous Pants  (team name!) on FB for the latest details.