Creative? Not so much…

I’m writing this on the fly, which can only mean one thing – more typos, more poor grammar choices, more run-on sentences, comma splice errors, etc. This post will be filled with all the things that would make my English teachers/professors/English professor friends cry, and then pause and wonder how on earth I manage to communicate. Ehhh, what can you do? Editing is for err… ummm… well, I suppose it’s for everyone, but still… Not today!  Ok fine, I’ll do my best? (I’ve had sugar.  This is my second disclaimer.)

Several months ago a co-worker stopped and said something like, “Beth, you’re always doing something. I love hearing your stories.  What creative thing are you into now?” I hmmed, there was some hawing, and after some not so deep soul searching I finally declared, “nothing.” While adding in my head, “nothing, topped with nothing sprinkles and a huge dash of nothing – I was making nothing pops out of congealed nothing,” and I was actually ok with that.  I thought about writing, but wasn’t feeling it.  I perused new classes, but wasn’t feeling it. Basically, I was quite happy with reading more, and catching up on Netflix series one sitting at a time.

Sometime in February, I think, a friend of mine asked me to help assist with a play. I checked my calendar, moved some of the nothing around, and hopped on board.  Afterwards I sat in character study discussions, table reads, rehearsals, and so far three performances.  Nothing is truly more exciting than watching a production grow from an idea into a live performance with a talented cast who get better every time.

Next week we’ll have the last few shows.  If you’re in Austin (and would love to travel to Georgetown), I encourage you to come see Blame it on Beckett. We have an extremely talented cast directed by one of my favorite people, Jonathan Spear.  It’s well-worth the $15. (There are discounts for Seniors and children.)

https://www.picatic.com/event14647381531248

The 48 Hour Film Project is also going on (it ends tonight at 7:30).  This is the thing where, on a Friday evening, you get assigned a genre (ours is a holiday movie or an animal movie – OY), an object (a wrapped gift) that must be in the film, a line of dialog (something that had the word “oops” in it, but my memory is that bad that after 36 hours you got me), and a character (Charlie or Charlene Bitters, an author), and you have to write, shoot, and edit it within 48 hours.  AND it’s also something I’ve avoided since we wrapped the last one in 2013 after the unfortunate incident with the neighbor.

Well, it turns out some of the talented actors from Blame it on Beckett were going to have to miss a weekend (thus the weekend break between performances) to participate in the 48 HR project which got me talking about it again.  That’s when the writer from the previous show decided she wanted to see if she could do all of the work: writing, directing, producing, editing, music, etc. – basically, I think she wanted to see if she could get the least sleep of everyone I know and avoid merrily leaping off the ledge (she’s still alive as of this writing).  My job consists (present tense since we’re still in this thing) of turning in paper work and asking the actors if they’d like a cookie.  I mean, who doesn’t want a cookie?!?! (Apparently all the actors since I ended up with all the cookies once we wrapped.  So sad to know cookie-haters walk among us. Even sadder that there are cookie-haters in my peer group. 😦 )

The good news is that our group, Uncle Bob’s Dangerous Pants, lives again!!! (And we still got props for best name from the 48 HR folks.  WOOOT!)

Also, a beautiful thing happened that made this all seem right, yet has zero to do with creativity.  The good neighbors (mentioned in the old post) are buying the evil neighbor’s house, which means the evil neighbor is moving.  I can’t begin to express how hard it was not to do an old lady style cartwheel in the front yard and cheer (after of course crashing to the ground and moaning a bit, because my cartwheels have suffered greatly over the decades).  Instead I took the news calmly only betraying my glee at the corners of my mouth and well, by repeatedly pointing to the evil house and asking, “that house? that one right there? oh that one?”  It seems like closure of sorts.  We did our first 48 HR shoot, had that happen, then did this one, and she’s moving.

Anyway, all of that to say that I’ve gotten to do some creative things with creative people lately, and that has made me pretty happy.

But I do want to add one thing – a friend who isn’t involved with any of my improv/sketch writing life said, “you’re so creative” after I mentioned the play and the 48HR Film Project.  That was really nice, but here’s where I absolutely can’t take credit.  I am good at many things, and the bulk of them include following directions.and wrangling. You also need people like me for the things I do, but I am not creative per se.  I do not “create,” and I’m ok with not being considered “creative.”  I support.  I’m one heck of a supporter.

AND I’m very lucky to be surrounded by amazingly creative people who see the need for a solid supporter. Between all of us, we get things done, and right now I’m having fun doing just that.  Now I need to get ready to go get the paperwork turned in so we can wrap this whole thing up tonight..

My Secret Talent

I’ve always suspected I’m secretly great at something.  The problem is that I haven’t quite found that thing I’m great at.  Over the years I’ve learned it’s not drawing, writing, photography, improv, film making, pottery, gymnastics or tennis, but I’ve never given up hope (as you can tell).  Earlier this year I decided it might be special effects makeup based on the fact that I’ve shown little interest in it over the years other than applying a bruise makeup once to scare my cousin into thinking she’d get in trouble after she accidentally popped me in the eye.  (For the record, it had the desired effect.)  I bolstered my belief in my hidden SFX talent, because I’d seen many seasons of Face Off, the Syfy channel’s SFX makeup reality show/contest, and in HIgh School I did have that Bob Kelly make-up kit that is in almost pristine condition after opening it at least two or three times.  Clearly, SFX makeup was my calling.

 My friend April, you know the one who occasionally tries to kill me, the one I’m going to New Orleans with next week out of curiosity to see what she has in store for my demise this time (expect updates if I survive) – that April.  Anyway, April saw that the Austin Film Society was holding a SFX Makeup 101 class taught by one of the former Face Off contestants.  She let me know, because I think she also suspected I had hidden talents – perhaps even be a burgeoning SFX makeup star. I’m sure it wasn’t because I might be star struck by a local artist (the teacher) being a Face Off contestant and this fulfilling some stalkery need of mine.  Yes, I’m sure that’s why she told me – the hidden talent thing.  Did I mention he was a contestant on Face Off?

My friend Topping joined me. Off we go to the class and there he is – the Face Off guy.  He’s nice, patient and pretty cool.  He told us a few stories and then gave us these tiny little take-away kits to create wounds.  Then he laid out some silicone prosthetics.  We each chose one.  I, of course, picked a wound to put directly on Topping’s face.  I’m sure deep down she was delighted by my choice even if she wasn’t readily showing it.  As a much kinder person (better person blah, blah, blah), she picked one for my arm.

Eric Z. from Syfy’s Face Off (background) Me demonstrating natural talent (yada yada)

 My first (and only) application went ok.  I killed an edge, but what Face Off participant hasn’t really?  Then it came time to paint it.  I wanted something a bit bloody in the center.  It was a tear across her face – like she’d been attacked by a serving fork – maybe she tangled with an animal with serving utensils for feet?  It could happen! I decided what the wound needed was some deep reds with dark blues and purples, then on the edge I wanted some nasty yellow – maybe yellow with some red in there.

Evidence of Innate Talent Right There

It’s been a long time since I was in an art class or even colored or considered a color wheel.  All of my age 7 year old art class experience in color suddenly came crashing back into my brain when I used the aforementioned bright yellow, liberally applied some red and I made orange.  Orange. Imagine my surprise, which was quite genuine, as my inner 7 year old mocked away. It was a gigantic bright orange wound right on Topping’s face.  I tried to make it better by adding more colors to cover up the orange.  This ultimately ended up making her wound look like some depraved 1970’s mom had  assaulted her with a bottle of mecuricome.  It was a wound disaster that she got to have her photo taken with to remember throughout time and enjoy the added bonus of having to wear it out of the class on her drive home.  You’re welcome, Topping.

Even Oranger in Person! The blending is pretty gorgeous, too.


My take away – I think that maybe being a SFX makeup artist may not be my hidden talent.  Time to sign up for the next class.

Topping’s Application on My Arm (Grossed out husband = What Real Talent Looks Like)

Fifi & Mr. Pickles

Another shoot featuring one of my favorite people that was written, directed, and edited by another one of my favorite people, and filmed and sounded ummm soundified? soundied? by more of my favorite people.  And to get Executive Producer, all I had to do was offer up my garage (you’ll soon admire how fancy it is), eat cookies and occasionally shout out a line when needed (only occasionally… sometimes not at the right moment, but meh I made the credits! Go me!

You may remember this shoot was mentioned in a previous post where a crazy neighbor stomped on my porch and let us know she didn’t want this kind of thing in her neighborhood.   “…people popping up and down…”  The scandal!

Well, now you too can enjoy the scandalous shoot that shocked a neighborhood in all its scandalous glory.  Starring Holt Boggs & Jonathan Spear!

Abra-ka-what-what!

You may recall that last August our little gang entered our first Austin 48 Hour Film Project.  I may have written (vented?) about it in a behind-the-scenes post.

While we were able to turn-in a completed film, it wasn’t the film in its entirety.  (If only we’d had 49 hours!) But today, thanks to our DP/Editor, Richard G. Bingham, II and our writer/actor Topping Haggerty, we give you the full video.  Keep in mind this was all written, shot and edited (save the middle section which had to be scrapped to make the deadline) in 48 Hours.  Also, note that no children were harmed despite accusations from a disgusting little HOA hobgoblin (who has since inspired an original song and sketch ideas – our little troll muse, as she were).

A Big Win

Several weeks ago Richard, you know Richard – remember that time you and Richard…? Of course you do.  Anyway, Richard contacted the gang, you know the gang (do we have to do this again?) and presented us with a 1 minute film contest.  The contest, put on by Project ED, was to pick a scary word from a list of words and then teach that word on film. (Define it, use it in a sentence, demonstrate it, etc.)  We (the gang) had approximately two weeks to get it filmed and edited, so we each scurried off and wrote.

Howdy!

I went a little too big.  I created something I’d love, but would go over the 1 minute and involve a budget.  My budget that month was only big enough to include a trip to Dallas and one Big Tex bobble head.  I’m a simple soul. I couldn’t afford costumes and set decorations, which I’d definitely need.  Plus, my lead actor had big time constraints.  (He just got cast in Greater Tuna!) I had to face the reality that mine was never going to happen.  Still, I was just happy to write.  That left the other two, Richard and Topping (the gang reveals itself) who each wrote two.

Of the four sketches (words?) we had, we filmed two. I provided snacks and location (which makes me easily the most important person on the team, behind the writer, producer, actor, director of photography, the sound guy… ummm… )

The short was submitted and of the 111 entries (yes, I counted) Project ED received I am very pleased to announce that:

TOPPING’S WON!

You can watch the announcement here.

You can see Topping’s entry, which debuts my gloved hand, as well as the other entrants here:

https://www.projected.com/contests/11

So, please help me in congratulating Topping on a BIG WIN!  This is the first win for our little gang and it’s pretty darn exciting.  (I’m pretty sure it had everything to do with the location and the snacks and the fuzzy glove. Oh, and that stuff the other guy’s did, too.)

A big thanks to everyone who went out and voted on the videos and who helped Topping’s get noticed.

Just an Ordinary Day

Our garage is like almost any garage – kind of ordinary in its rectangular-ness mixed with a hint of boring.  It’s a space where only cars and items that aren’t quite loved enough to hangout inside live.  The occasional yard tool loiters aimlessly against the wall. Every day I come home, open the door and am greeted with the sameness – the blandness.  A life tucked away slowly passing through each season.  I spend as little time as possible there.  No particular reason to linger. Just grab everything from the car, close the door and wait for another day.  Ordinary.

Then came Saturday when I opened the door and found…

Photo Bomb! From left to right: Holt Boggs, Topping Haggerty (Director), Jonathan A. Spear

Closeup! Holt Boggs & Jonathan A. Spear

Ahhh! Magic!

Be sure to look for “Fifi and Mr. Pickles” a short by Topping Haggerty coming to you later this Summer.